Nakagawa Soen

Nakagawa Soen
1907 – 1984
Nakagawa Soen (1907–1984) was one of the most important Rinzai masters of the twentieth century and a major catalyst for the transmission of Zen to America. Born in Iwanuma, Miyagi Prefecture, he was drawn to both poetry and Zen from an early age. He studied haiku under the renowned poet Iida Dakotsu before entering Zuigan-ji monastery and eventually becoming the dharma heir of Yamamoto Gempō at Ryūtaku-ji. He succeeded Gempō as abbot of Ryūtaku-ji in 1958, and the temple became known under his leadership for the intensity of its sesshin and the eccentricity of its abbot.
Soen was a man of paradoxes — a rigorous Rinzai traditionalist who conducted tea ceremonies using Nescafé, a deeply disciplined master who could erupt into apparently spontaneous acts of wild creativity during his teaching. He incorporated elements of music, theater, and even absurdist humor into his dharma presentations, yet his sesshin were grueling and his koan interviews exacting. He made numerous trips to the United States, forging deep connections with American practitioners and maintaining a long friendship and correspondence with Nyogen Senzaki, whom he regarded as a kindred spirit.
Soen's influence on American Zen was both direct and indirect. He was a mentor to Eido Shimano, who went on to establish the Zen Studies Society in New York, and he inspired many American practitioners who encountered him during his visits. His poetic sensibility — he once conducted an entire ceremony for the ants in the zendo — expressed a vision of Zen as fully alive in every moment and every creature. In his later years, he withdrew increasingly into solitude, and his final years were marked by periods of deep seclusion. He died at Ryūtaku-ji in 1984, leaving behind a legacy that continues to shape the character of Zen in America.
Teachings
- proverbThis One Moment
This one moment—this present moment—is infinitely large, and it contains all of time.
- sayingNamu Dai Bosa
Namu Dai Bosa! I call out to the Great Bodhisattva—but who is this Great Bodhisattva? It is none other than you, reading these words. It is the pine tree outside the window. It is the stone in the garden. Namu means 'I take refuge,' but true refuge is not hiding. It is opening yourself completely to this moment. Dai Bosa is not somewhere else, not in some distant Pure Land. Dai Bosa is this very breath, this very step. Namu Dai Bosa!
- sayingOn Haiku as Zen Practice
Haiku is not poetry. Haiku is Zen. In seventeen syllables, you must capture this moment exactly as it is—no more, no less. If you add your opinion, it is not haiku. If you subtract the reality, it is not haiku. The frog jumps, the water sounds—Basho did not invent this. He simply opened his ears and let the universe write through his brush. When you write haiku, you practice the same thing as zazen: getting out of the way so that reality can express itself.
Master Record Sources
- datesZen Editorial Overlay - Originals Curation
1907-1984
- nameZen Editorial Overlay - Originals Curation
Nakagawa Soen
- schoolZen Editorial Overlay - Originals Curation
Rinzai
- teachersZen Editorial Overlay - Originals Curation
Yamamoto Gempo